author of THE WEDNESDAY SISTERS
(forthcoming from Ballantine, Summer 2008)
and
THE LANGUAGE OF LIGHT
a novel set in the Maryland Horse Country
Author Bio
Meg Waite Clayton lived for several years on a horse farm in northern
Maryland. She now lives in Palo Alto and Santa Barbara with her husband
and two young sons. She is a University of
Michigan Law School graduate, and has been a Tennessee Williams Scholar at
the Sewanee Writers' Conference, and an "emerging voices author" at
BookExpo 2004. Her stories have appeared in numerous literary magazines,
including The
Virginia Quarterly Review,
The Literary Review, and
Shenandoah.
Reading Group Guide
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About The Language of Light
Set in the old-moneyed horse country, The Language of Light is the story of a young mother trying to put her life back together after the death of her husband.
Nelly Grace moves her two young boys to a privileged, horse-breeding world in the Baltimore countryside after the unexpected death of her husband. Struggling to build a new life, Nelly finds herself swept up in the traditions and social practices of this insular world. Emma, the matriarch of the fox-hunting community, offers Nelly guidance and friendship until past and present secrets begin to unfold.
Encouraged by Emma and her grown son, Dac, Nelly rekindles her desire to become a photojournalist, like her father. As she sets to work with her camera, though, she realizes her success is tangled up not only in her feelings about her husband's death, but also in her relationship with her father, a man who has allowed fame and ambition to come before his family. Then her father comes to visit, and Nelly's fragile new beginning is thrown into chaos.
►Home
►About The Language of Light
▪ Critical Praise
▪ Read an Excerpt
▪ Reading Group Guide
▪ The Horse Country Setting
►Meg's Short Fiction and Nonfiction
Discussion Questions for Reading
Groups
1. Why do you think Nelly Grace moves to her father's ancestral farm at the beginning of The Language of Light? Why does she hide her love of photography from her father? Why doesn't she give herself permission to succeed as a photographer?
2. Nelly and Emma are both women who aspire to be something different than what is expected of them. Do they succeed or fail? How do the differences in their backgrounds and their generations affect their choices?
3. The first Nelly sees of Emma is "a stranger riding across my bridge on horseback, wearing a hat" (p. 8), and Emma appears in various hats throughout the novel. Is her riding cap or the old brown suede hat she wears while on her tractor different from her other hats? Does this say something about her?
4. Is Emma Crofton a woman you would want in your life? What did you like best about her? What did you like least? What is the truth about Emma?
5. Do Nelly's feelings about her husband's death change over the course of the novel? Are they different from her father's emotions about her mother's death?
6. Does Nelly fall in love with Dac, or with his image of her, or neither or both? Is her relationships with Dac similar to her relationship with Wesley?
7. Does Nelly's father love her? Does he support her choices? How does his perception of his relationship with Nelly differ from hers?
8. Does Nelly long to be like her father, or does she fear becoming like him, or both?
9. Nelly, Emma and Willa are all mothers devoted to their sons. Does their love for their children help each of them move forward or hold them back?
10. What does Nelly learn from her father's hidden photographs?
11. What is the "language of light" referred to in the title? How are images of light used throughout the book?
12. In a book about images, what was the most striking image of the novel for you? What photographs have you encountered in your life that have influenced you? What photographs make you most uncomfortable?
13. What do you think a photojournalist's obligations regarding the the privacy and dignity of the individual subject are? How would you balance these obligations against the public's right to know? Was Pat right not to make his hidden photographs public?
14. What does the fact that Pat's photographs turn to ash at the end of the novel say about his life? What does Nelly's burning them mean? Was she right to burn them? Would you have?
Advance Praise for
The Language of Light
"An engaging and compassionate portrait of an artist learning to embrace the full potential of her power. Meg Waite Clayton writes with a photographer's precision, clarity and care."-A. Manette Ansay, author of Midnight Champagne and Limbo
"Meg Waite Clayton has written a novel destined to be called 'old-fashioned'--which these days means a traditionally well-plotted story peopled with nuanced, believable characters. The Language of Light has what readers want in a book--the believable kind of humor and pathos that makes for a terrific read."- Katharine Weber, author of The Music Lesson and The Little Women